Some more boring photography talk
Sorry, I can’t help it, there’s quite a bit of news when it comes to photography gear, and about my learning how to use what I have more effectively.
Both Canon and Nikon have recently introduced full frame sensor mirrorless cameras, which are going to be the wave of the future for cameras as we know them. The old familiar DSLR is going to fade away over the next decade, at least that’s how I see things going.
Since mirrorless cameras can be built smaller, lighter, and cheaper by not needing the mirror assembly, that’s a big selling point to begin with. Then, because the rear element of the lens attached to the camera can be mounted closer to the sensor because the designers don’t need to leave room for the mirror assembly, the light coming through the lens doesn’t have to be bent as much to get the lens to project the image onto the sensor. This is particularly true with wide-angle lenses, less so for telephoto lenses. That means that the new wide-angle lenses will be even sharper than the best lenses built so far for traditional DSLR bodies, because the less that the light needs to be bent ass it passes through the lens, the sharper the image will be.
Because of that, both Nikon and Canon have designed new lens mounts to take advantage of that, and I can’t tell you about the new Nikon lenses, but the new Canon lenses are indeed sharper than the older style lenses built for a traditional DSLR mount.
Doesn’t that figure, I just upgraded my wide-angle lenses, and now they are obsolete, sort of. The superior sharpness of the new lenses designed for mirrorless cameras is mostly when the aperture is wide open, and as the lens is stopped down to get a wider depth of field, the advantage of the mirrorless lenses shrinks to nothing at the apertures typically used for landscapes when everything in the frame needs to be in sharp focus.
Sony has been building full frame mirrorless cameras for some time now, and their cameras are much better than the first generations of mirrorless cameras from Nikon and Canon. However, Sony hasn’t been able to match them when it comes to lenses. A lot of Sony camera users mount other manufacturer’s lenses to their Sony using an adaptor.
So at least for now, I see no reason to think about upgrading from the Canon 5D Mk IV or the Canon 7D Mk II bodies that I’m using now. That’s especially true because Canon put the same sensor as the 5D has in its new mirrorless camera. In many ways, the new mirrorless body would be a step backwards for me, but I won’t list all the reasons for that.
However, I will be watching to see what Canon does with their line-up of mirrorless cameras, if they bring out a mirrorless version of the 5DS R body with the super high-resolution sensor with no low pass filter, I could be tempted, because that would be something that would make dramatic improvements in any landscape images that I shoot. But’s that’s a long way off right now, as I have no idea what Canon is planning on as far as their line-up of mirrorless bodies, or if the even plan on building an updated 5DS R body. And even if they do, it would have to be a lot cheaper than the current 5DS R body before I would consider making such a move. That’s why I’m hoping that they release a mirrorless version of it as they perfect their mirrorless designs in the future. The new Canon mirrorless body is $1,000 less than the 5D Mk IV that I recently purchased, even though they use the same sensor. I hope that the trend continues in future generations of Canon mirrorless cameras.
For right now, I’m going to concentrate on learning to get the best out of the 5D and the new wide-angle lenses I’ve acquired. They have been a big step up in quality over the crop sensor bodies I have been using, along with the EF-S lenses designed for the crop sensor bodies.
However, the biggest improvement that I see with the 5D comes when I use my older telephoto lenses in low-light situations…
…as that was shot at ISO 25600, much higher than I could have gotten away with if I had used the 7D body instead.
It was a dark, dreary, foggy day this spring when I tried to shoot migrating warblers and other small birds the made me decide to upgrade to the 5D. Some of you may remember the post that I did about that day, and how I whined about the poor quality of the images that I ended up with. Well, last Friday was very similar to that day last spring as you can see in this photo…
…right down to the on and off mist and drizzle falling as I looked for things to photograph. By the way, I included yet another photo of the Cobb power plant as I’m planning on recording the work as it is dismantled. I’m not sure what’s going to be done with the land that it’s on, as I’m sure that since it was a coal-fired plant that there’s a lot of environmental clean-up that will have to be done once the plant is gone.
Anyway, here are the birds that I photographed in the very raw conditions of that day.
All three of those were shot at higher ISO settings, yet there isn’t the loss of detail or color saturation that I gotten when I’ve used the 7D Mk II in such conditions. As a comparison, here’s an image from that dreary day this spring.
Forgive me for bragging, but wow, what a difference! Especially when you consider that I used the exact same lens for the birds on Friday as I did for the warbler this spring. The differences in image quality is all due to the camera used, and seeing them side by side here makes being broke for a while longer worth the investment that I made in the 5D.
Here are the other images that I shot in the mist while I was at the Muskegon Lake Nature Preserve on Friday.
In these, which were also shot at higher ISO settings, the clarity and color improvements of the 5D…
…are also put to good use…
…although I missed the composition in that last photo. I wanted to show the colors in the background as well as the Virginia creeper vines in the foreground, but I should have moved to the left and showed more of the Virginia creeper vines. Oh well, I messed up this one also.
I liked the way that the Virginia creeper and grape vines spiraled up the spruce tree naturally, like Christmas decorations, but I used a wide-angle lens from very close to the spruce. I should have moved back, and used a longer lens to have gotten a better angle of the scene.
While I usually use the aperture priority mode while photographing birds, I’m thinking of using the manual mode more often, just because that would allow me to change the shutter speed more quickly when I see something similar to the bluebirds bathing from my last post.
The one fly in that ointment is the maximum aperture of the lenses that I’m using now, especially when I have the 1.4 X tele-converter behind them as I typically do. Most of the time, I’m starting out at f/8 due to the loss of light from the extender. There’s no getting around that short of purchasing a faster (and much more expensive) lens. But, on a sunny day as when I photographed the bluebirds, I could have pushed the ISO higher to get faster shutter speeds to freeze the motion better. That’s especially true with the 5D, but I could have gone higher with the ISO with the 7D when I had such good light. Just something for me to keep in mind on nice days with good light.
While I’m on the subject of trying different things, on Thursday, I finally got around to testing the new 24-70 mm lens with an extension tube behind it to allow the lens to focus closer than it does without the extension tube.
I had to crop off the bottom of the photo, as there was a harsh shadow there caused by the lens hood touching the post because that’s how close that set-up focuses. I deliberately chose a post with only a few widely spaced small lichen to help me judge the depth of field of that set-up. Also, I used the medium length extension tube only, I didn’t test the long tube out. I’m not sure that the long tube would work behind that lens as close as I was when using the medium length tube. I don’t think that it will work for insects because of how close the lens has to be to the subject, but for subjects that remain stationary, I think that this set-up will work every bit as well as my 100 mm macro lens.
This was a similar test shot, but without the extension tube behind the 24-70 mm lens.
It’s hard for me not to jump forward to the images that I shot this weekend, when I have so many left from last week. So, since I’ve babbled on long enough already, here are the rest of the photos from last week, as I shot a few hints of the fall colors that are showing up around here, and also tried to shoot a wider variety of birds that I haven’t posted many photos of lately.
I’m really excited about my next post, as I was able to shoot one of my better images of an adult bald eagle in flight as I was on my way to northern Michigan to shoot some pretty good images of the fall colors on display there.
That’s it for this one, thanks for stopping by!